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Spoon - Lucifer On The Moon

$21.00 / On Sale

LP Ship Date: around November 4, 2022

If you want pre-orders shipped separately for their release dates, please order separately with separate shipping. Otherwise your items will ship at the time the last item has arrived. Use discount code LOCAL for local pickup at Landlocked Music in Bloomington, IN and no shipping fee.

Lucifer on the Moon is the anti-gravity companion to Spoon’s Lucifer on the Sofa. A top-to-bottom rework of the Austin band's tenth album, it was created by ON-U Sound founder and UK dub icon, Adrian Sherwood.

Moon first took shape as a selection of heady remixes for the singles from Lucifer on the Sofa. Frontman Britt Daniel offered Sherwood two suggestions: “Avoid things that would not be possible on tape” and “Add whatever you want to add — and the less modern the better.” The collaboration shouldn't come as a surprise: dub-inspired production is wound through Spoon’s classic tracks, from "Finer Feelings" to "Inside Out." Sherwood is a proven collaborator whose resume includes partnerships with seminal artists like The Fall, Jah Wobble, and Mark Stewart. The initial results pleased both parties and Sherwood was invited to work on additional songs. And then a few more. “I got into the melody and the thoughts it evoked in me,” the producer explains. “It just evolved and we eventually found ourselves with a whole album.”

Moon flips Lucifer on the Sofa’s rhythm tracks inside-out, and often rebuilds them wholesale. Sherwood supplied extensive additional instrumentation via ON-U’s extended family of session players, including bassist Doug Wimbish and drummer Keith LeBlanc (both of whom performed in Sugarhill Records’ early ’80s in-house rhythm section). He dug deep into the album’s multi-tracks, surfacing forgotten details and elements not present in the final album mixes.

The result airlifts Spoon’s trademark melodies into lush alien terrain, replete with vibrant echo and rumbling low-end. “It wasn’t just a thing where you pick apart this and you stay on the grid and you add a delay,” explains Daniel. “He added so much more instrumentation and it became a different version of the songs. Not a remix, but a companion piece. A ‘Part II.’”